Find Massive Attack discography, albums and singles on AllMusic. Advance Album Streams from Sloan, Robert Plant, Tennis, Death from Above 1979 and More.

Makes their considerable racket with only bass, drums, and the occasional Moog squelch assist. This isn't a gimmick -- between 's frantic wail and the overdriven bass riffs of, the duo's pulses with a steady, sweaty energy that's punctuated with arena-sized hooks. 'Blood on Our Hands' boils dance-punk nearly all the way down, leaving only a relentless hi-hat cymbal, while 'Turn It Out' and 'Cold War' churn on double-time rhythms and rudimentary, yet completely effective bass runs. The duo's setup certainly limits their range, which means the album can occasionally resemble one long song.

Production of oil and natural gas liquids will exceed 11 million barrels per day, making it the biggest producer outside OPEC, by the second quarter of next year. XC2 xA0 Walt takes a bullet but stays alive long enough to call meth dealer Lydia, the last remaining link to his drug empire, to tell her he poisoned her with ricin. Blank eksportnoj deklaracii es un. Walt watches Jesse drive away a free man, and draws his last breaths in the meth lab at the compound as the police finally catch up with him. 'When you think about any individual circumstance, it's not a surprise,' Jonathan Pershing, who led the development of the DOE report, said in a phone interview. XC2 xA0'What was a surprise was putting it all together and seeing how large and pervasive the damage is.'

But at just over a half-hour, it's over before any questions about the lack of guitars can even start to form. There are hyper indie rock flare-ups, like in the / yelp of 'Going Steady.' And 'Sexy Results' is a flirtatious and amplified cross of new wave and -style strut that comes complete with a cowbell upbeat. Preoccupation with the opposite sex provides some of 's strongest moments, from 's 'I don't need you/I want you' clarification on 'Romantic Rights' to the frenetic late-album standout 'Pull Out.'

Other highlights include the title track's layered vocals and wiry punk revivalism, and the subtler 'Black History Month,' which is a nice break from the record's consistently jerking pace. In the 2000s, dance-oriented energy keeps creeping regularly into rock & roll. On, Death from Above 1979 makes people move by exposing the live-wire tension rock music had all along.